A lighting scene is only useful if it matches a real moment: breakfast, a meeting, evening, or a room that is empty. Presets copied from a showroom rarely survive the first week.
We group lights by how the room is occupied, then set levels that people can recognize without a manual. Daylight, task light, and a quieter evening level are usually enough.
The control should disappear into that routine. A keypad by the door, or a schedule that follows the building, beats a screen full of fixtures nobody asked to name.
